Acknowledged as the most technically accomplished ballerina ever produced in America, Maria Tallchief began her studies with such notable dance teachers as Bronislava Nijinska and joined the Ballet Russe de Monte Carlo. Over the next five years, she attracted much attention with memorable performances, particularly of the works of choreographer George Balanchine.

After marrying Balanchine in 1946, the couple left the Ballet Russe and formed what eventually became the New York City Ballet. In her 18 years with this company, Tallchief was the foremost exponent of Balanchine's choreography, as well as the company's prima ballerina for a number of years. Among her most significant roles were Symphomie concatenate, Orpheus, The Firebird, Scotch Symphony, Caracole, Swan Lake and The Nutcracker.

Tallchief, through her artistic style and excellence, continued to inspire national and international recognition for American ballet until her retirement in 1965. Through the years, she also promoted Native American culture and contributions to the arts.

In the 1970's, as a Chicago resident, Tallchief served as artistic director of the Lyric Opera Ballet, and in 1980 founded the Chicago City Ballet, where she also served as artistic director.

When the State of Oklahoma honored Tallchief in 1953, she was given the honor name of Wa-Xthe-Thomba, meaning "Woman of Two Worlds." This name celebrates her international achievements as a prima ballerina and Native American.

Additional Resources:Maynard, Olga. Bird of Fire: The Story of Maria Tallchief. New York: Dodd, Mead 1961. NOTES: Covers Tallchief's youth and career.

Livingston, Lili Cockerville. American Indian Ballerinas Norman, Oklahoma: University of Oklahoma Press, 1997.

With Larry Kaplan. Maria Tallchief: America's Prima Ballerina. New York: Henry Holt, 1997.

With Rosemary Wells. Tallchief: America's Prima Ballerina New York: Viking, 1999. NOTES: Juvenile literature.